Â鶹Éçmadou

Creative Technologies Research Lab

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The Creative Technologies Research Lab (CTRL) investigates how technology transforms our creative practices and cultures, and how technology is itself a subject, medium and domain of creativity.

Innovation first, curiosity always.

Co-directed byÌýDr Oliver Bown and Dr Patricia Flanagan, CTRL brings together artists, designers and critical theorists, with strengths in interactive media arts, creative AI, wearables, performance, sound, and speculative design.

Our work aims to understand and support creative practitioners working with new technologies; to use technology to support the expression and understanding of critical issues through art; and to champion the value of human and more-than-human creative cultures, highlighting the risks and opportunities of technology to those ecologies.

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Research areas

Projects at CTRL

  • In this video, Dr Oliver Bown discusses how the Creative Technologies Research Lab (CTRL) at Â鶹Éçmadou, in collaboration with music studio Uncanny Valley, transformed the Sydney Opera House into a living musical instrument.

    Commissioned in 2023, the project used real-time environmental data—tracking air, water, power and human movement—to generate an evolving composition. By integrating AI-driven generative audio and video techniques, the team reinterpreted the building’s mechanical rhythms and iconic 10,000-pipe grand organ into a dynamic symphony that played continuously over a month.

  • At CTRL, we explore the intersections of technology, the body and the environment. Through wearable design, biofeedback technologies and more-than-human perspectives, we investigate how interactive systems can sense, adapt and respond, blurring the boundaries between human, machine and ecosystem.

    Led by Dr Patricia Flanagan, our wearables and speculative design research spans diverse creative practices, drawing from projects developed both within CTRL and in the broader trajectories of our researchers’ work. From garments that reflect physiological states to technologies that engage with non-human ecologies, we are shaping a future where technology is not just an external tool, but an integrated, responsive part of our lived experience.

  • At CTRL, we explore how emerging technologies transform the way we experience sound and light in space. From large-scale, immersive sound environments to interactive, site-specific compositions, our research examines how programmable, networked and responsive media reshape creative expression.

    In this video, Dr Oliver Bown introduces a selection of our projects, showcasing innovations in spatial audio, responsive lighting and interactive media design. Through collaborations with artists, designers and technologists, we develop new tools and techniques that expand the possibilities of creative technology—making interactive sound and light experiences more flexible, expressive and integrated into the spaces around us.

Shaping an AI-powered future

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We are proud to have contributed our expertise to the review process of Australia’s Voluntary AI Safety Standard, as of the Department of Industry, Science and Resources. This recognition reflects our ongoing commitment to exploring the ethical, creative, and technological impacts of AI and emerging media technologies, and our role at the forefront of research and innovation in responsible AI development.

Lab members

Lab directors

Oliver Bown
Associate Professor

Research Focus:

Generative Art, Digital Media, Computational Creativity, Interactive Systems, Sound Art

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Patricia Flanagan
Senior Lecturer

Research Focus:

Wearables, Haptic Interfaces, Critical and Speculative Design, Human-Computer Interaction

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Researchers

Ainslie Murray
Associate Professor

Research Focus:Ìý

Architecture, Art History, Theory and Criticism, Design Practice and Methods, Design Anthropology

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Alex Davies
Senior Lecturer

Research Focus:Ìý

Immersive Media, Interactive Cinema, Augmented Reality, Virtual Reality, Digital Art

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Andrew Yip
Senior Lecturer

Research Focus:Ìý

Immersive Visualisation, Experimental Digital Technologies, Cultural Heritage, New Media Platforms, Interactive Design

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Anna Munster
Professor

Research Focus:Ìý

Digital Aesthetics, Media Theory, New Media Art, Networked Cultures, Affect and Technology

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Anna Tow
Professor

Research Focus:Ìý

Digital Aesthetics, Media Theory, New Media Art, Networked Cultures, Affect and Technology

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Ant Banister
Specialist MM & Immersive

Research Focus:Ìý

Electronic Music, Sound Design, Interactive Installations, Audiovisual Performance, Immersive Environments

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Brad Miller
Honorary Senior Lecturer

Research Focus:Ìý

Interactive Media, Digital Art, Networked Environments, User Experience, Electronic Arts

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Bronwen Williams
Lecturer

Research Focus:Ìý

Visual Arts, Contemporary Painting, Mixed Media, Site-Specific Art, Art Theory

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Caleb Kelly
Associate Professor

Research Focus:Ìý

Sound Art, Experimental Music, Performance Art, Curatorial Practice, Sound Studies

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Deborah Tillman
Director, Life Long Learning

Research Focus:Ìý

Art Education, Community Arts, Participatory Art, Visual Culture, Creative Practice

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Elias Berkout
Immersive Technologies Support Officer

Research Focus:Ìý

Interactive Design, User Experience, Digital Media, Human-Computer Interaction, Multimedia Art

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Haider Akmal
Lecturer

Research Focus:Ìý

More-than-Human Design, Speculative Design, Digital Storytelling, Interactive Media, Contemporary Art, Printmaking

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Jonathan Shaw
Research Administration & Casual Academic

Research Focus:

Human-Computer Interaction, Speculative Design, Affective Interaction, Cultural Ecology, Interactive Media Art, Design Sociology

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June Kim
Lecturer

Research Focus:

Digital Media, Interaction Design, Immersion and Simulation in Human Culture, Media Technology History, Emerging Applications of Technologies

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Karen Kriss
Senior Lecturer

Research Focus:Ìý

Media Arts, Visual Culture, Performance Studies, Digital Humanities, Contemporary Art

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Kurt Mikolajczyk
Research Officer

Research Focus:

Interactive Installation Art, Media Multiplicities, Music Technology, Composition and Performance

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Matt Cabanag
Associate Lecturer

Research Focus:Ìý

Digital Media, Interactive Installations, Virtual Reality, Immersive Environments, Creative Technologies

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Michael Richardson
Associate Professor

Research Focus:

Media Theory, Synthetic Media, Media Witnessing, Affect and Technology

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Rebecca Green
Lecturer

Research Focus:Ìý

Digital Illustration, Children's Literature, Visual Storytelling, Animation, Creative Writing

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Scott Brown
Lecturer

Research Focus:

Inclusive Design, Disability, Neurodiversity, Assistive Technology

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Stephen Loo
Professor

Research Focus:

Biophilosophy, Post-Humanist Ethics and Justice, Ecological Humanities, Neuropsychology, Performance Research, Architecture and Design Theory

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Teresa Crea
Senior Lecturer

Research Focus:

Theatre Studies, Performance Art, Interactive Media, Digital Storytelling, Cultural Studies

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Thomas Smith
Lecturer

Research Focus:

Computational Systems and Society, Politics of Creative Economies, Digital Subjectivities, Electronic Music and Aesthetics, Speculative Media Art

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HDR students

Caitlin Dubler
Casual Academic & PhD Candidate

Research Focus:

Experimental Craft Processes, Social Impact Design, Processual Creative Practice, Collaborative Art,ÌýDesign Democratisation

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Chloe McFadden
Casual Academic & PhD Candidate

Research Focus:Ìý

Machine Learning, Disruptive Approaches to Prediction and Technology, Critical Engagement with Algorithms and Prediction

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Jiaying Qian
PhD Student

Research Focus:

Smart Textile, Wearable Technology, More-than-Human Design, Speculative Design, Interactive Art, Experimental Craft Processes

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Jingwen Yuan
PhD Candidate

Research Focus:

Contemporary Jewellery, Digital and Handcraft Techniques,ÌýData Visualisation in Creative Practice, Computational Design

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Rodolfo Ocampo
PhD Candidate

Research Focus:

Dialogic Interaction for Creative AI, Creative Technology

Syna Chen
Casual Academic & PhD Candidate

Research Focus:

Wearable Technology, Fashion Design, Speculative Design, Non-Human Experience, Human-Technology Interface, Provocative Embodiment

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Tom Willma
Casual Academic & PhD Candidate

Research Focus:

Generative Artificial Intelligence, Labour Automation, Cultural Industries, Popular Music, Live Music, Virtual Bands

Courses for students in creative technologies

Miracles, at Sound Lab Â鶹Éçmadou.

Â鶹Éçmadou School of Art & Design has 7 courses in creative technologies open to undergraduate and postgraduate students:

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The Creative Technologies Research Lab offers Work-Integrated Learning placements through:

Location & contact

Creative Technologies Research Lab

Room GG14, G Block,ÌýÂ鶹Éçmadou Art & Design (Paddington Campus)
Cnr Greens Rd & Albion Ave
Paddington NSW 2021

Email:Ìýctrl.directors@groups.unsw.edu.au

Acknowledgement of Country

Â鶹Éçmadou School of Art & Design stands on an important place of learning and exchange first occupied by the Bidjigal and Gadigal peoples.

We acknowledge the Bidjigal and Gadigal peoples as the Traditional Custodians of the land that our students and staff share, create and operate on. We pay our respects to Elders past and present and extend this respect to all First Nations peoples across Australia. Sovereignty has never been ceded.