Kelly Price
Masters of Curating and Cultural Leadership
Project scope
Title:ÌýIn Histories Staged
Location:ÌýCaptain James Stirling memorial statue site and City of Perth Library town square, Hay Street, Perth CBD
Timing:ÌýLaunch during Reconciliation Week 2022 (27 May to 3 June) and expand over two month period
Scope:ÌýTemporary outdoor exhibition of 4-6 installation works by First Nations and Indigenous artists
Budget:Ìý$105,500 (funding through DLGSC Aboriginal Arts Commissioning Fund, and Australia Council Aboriginal and Torres Strait Islander Arts)
±Ê²¹°ù³Ù²Ô±ð°ù²õ³ó¾±±è²õ:ÌýAboriginal Art Association of Australia, National Indigenous Arts Advocacy Australia, Aboriginal Art Centre Hub Western Australia, Whadjuk Elders
Curatorial Team:ÌýLen Collard - Noongar Elder, Professor & Australian Research Council Chief Investigator at the School of Indigenous Studies UWA (Indigenous Advisor)
Carly Lane - Curator Aboriginal & Torres Strait Islander Art AGWA (Co-Curator)
Kelly Price - Report Author (Project Manager & Co-Curator)
Stakeholders: Australia Council, Western Australian Government, Aboriginal Art Association of Australia, City of Perth, Curatorial Team, Participating Artists
Audiences: Primary - Peaceful protesters and advocates for national reconciliation Secondary - Indigenous and non-Indigenous cultural supporters
Other - Perth CBD passers-by who ‘happen’ across the site-specific exhibition
Student reflection
In Histories Staged responds to the continued recognition and celebration of colonial leaders in Western Australian history causing ongoing trauma and harm to First Nations peoples today. Specifically, In Histories Staged questions whether Western Australia’s first governor (1829–1839), Captain James Stirling, who led the Pinjarra massacre and had links to slavery, should be honoured with a memorial statue and name of place in Perth. Historically, political activist art has been an integral component of social movements, inciting real cultural change in communities. In Histories Stagedaims not to rewrite Western Australian history, but to consider the voices of First Nations peoples previously disregarded in documentation of imperial occupation. By collaborating closely with the Noongar community, the traditional owners of the Perth region and the Swan Coastal Plain, the curatorial project intends to bring awareness to the problematic past of James Stirling and the generational legacy of colonialism that continues to oppress First Nations peoples today.
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Acknowledgement of Country
Â鶹Éçmadou School of Art & Design stands on an important place of learning and exchange first occupied by the Bidjigal and Gadigal peoples.
We acknowledge the Bidjigal and Gadigal peoples as the Traditional Custodians of the land that our students and staff share, create and operate on. We pay our respects to Elders past and present and extend this respect to all First Nations peoples across Australia. Sovereignty has never been ceded.
