Â鶹Éçmadou

Trinity Johnson, ‘Viscera’ 2024. Acrylic and Oil on Canvas.

Viscera transfigures and abstracts the external body at sites of pain to explore the internal reality of hidden pain. This unveiling reveals a visceral experience as the metallic underpainting highlights a gory shininess. By discussing the abject, the work is imbued with associated mortality within a medical system that often aims to treat pain rather than causation. Using a colonial framework of oil painting the work depicts something beyond colonial understanding, pained and indigenous bodies.

Image Courtesy – The Artist

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Acknowledgement of Country

Â鶹Éçmadou School of Art & Design stands on an important place of learning and exchange first occupied by the Bidjigal and Gadigal peoples.

We acknowledge the Bidjigal and Gadigal peoples as the Traditional Custodians of the land that our students and staff share, create and operate on. We pay our respects to Elders past and present and extend this respect to all First Nations peoples across Australia. Sovereignty has never been ceded.