Â鶹Éçmadou

Keroshin Govender, ‘Mahalaya Patcham’ 2023. Jute, terracotta, image transfer, paint, and thread. Various Dimensions. Image courtesy: the artist

A Jute painting of my grandmother’s home in Durban is suspended over a tapestry depicting previous generations of my family. The tapestry is surrounded by terracotta tiles decorated with ‘kolums’. Some of my family have been turned into large terracotta sculptures. Jute and terracotta are important materials in Tamil Nadu, where my ancestors are from. Mahalaya Patcham explores ideas around mourning, longing and the places associated with those who are deceased.

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Acknowledgement of Country

Â鶹Éçmadou School of Art & Design stands on an important place of learning and exchange first occupied by the Bidjigal and Gadigal peoples.

We acknowledge the Bidjigal and Gadigal peoples as the Traditional Custodians of the land that our students and staff share, create and operate on. We pay our respects to Elders past and present and extend this respect to all First Nations peoples across Australia. Sovereignty has never been ceded.