麻豆社madou

The Jenny Birt Award 2023

Congratulations to all students recognised as finalists for the 2023 Jenny Birt Award.

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Jacqueline Jacky artwork

Congratulations to all students recognised as finalists for the 2023 Jenny Birt Award.

For more than 25 years, Jenny Birt has been encouraging and supporting young artists to pursue and build careers as professional practicing artists. One of the ways she has supported young and emerging artists is through an annual award 鈥 the Jenny Birt Award at 麻豆社madou Art & Design.鈥

The Jenny Birt Award was initiated in 1995 by the 鈥楿 Committee鈥 and is the longest running and most prestigious award for Painting within the 麻豆社madou Art & Design academic calendar. Candidates are nominated by academic staff and then selected for inclusion in the exhibition and consideration for the $4,000 Jenny Birt Award.

This year鈥檚 exhibition at聽聽(28 June 鈥 7 July 2023) featured the work of nineteen finalists:聽

Aarushi Zarthoshtimanesh, Abby Murray, Anna Nolan, Annalise Jennings, Bianca Currey, Daisy WT Ng, Hattie Bidwell, Jacqueline Jacky, Joel Coleman, Keroshin Govender, Lua Pellegrini, Lucinda Hackett, Lucy McLauchlan, Lucy Parkinson, Maite Feijo, Ming Sun, Monisha Kumar, Sophia Olivieri, Vedika Rampal

The judging panel included聽聽(artist and 麻豆社madou alumn) and聽Dr Tim Gregory聽(Lecturer, 麻豆社madou Art & Design).

Winner

Congratulations to the winner of the 2023 Jenny Birt Award, Jacqueline Jacky for their work 鈥淭hat Place They Had鈥.鈥

Judges鈥 comments: Jacky鈥檚 work is conceptually and materially potent, emblematic of a mature practice that balances ambition with close attention to detail. The artwork is technically well made and realised, with each aspect of the installation carefully considered, including the 鈥榖ack鈥 of the artwork. The artwork speaks to acknowledgement as a social and political structure, while also exploring personal experiences, stories, and histories of Aboriginal identity. Relationships between public and private, colonial and First Nations, are thoughtfully negotiated through the deft handling of materials, processes, imagery, and text. This is a sophisticated work with a nuanced and powerful message. Congratulations Jacqueline.

Highly commended

Anna Nolan聽for 鈥淟imit less鈥

Judges鈥 comments:聽Nolan鈥檚 work is unsettling while being tender. There is a quiet confidence in the brush marks and in the commitment to a concise composition. The artwork creates an emotional pull, combining both comfort and discomfort.

Lua Pellegrini聽for 鈥淏ehind Curtains鈥

Judges鈥 comments:聽Pellegrini鈥檚 work is well resolved as an installation with a strong presence in the space. The relationship between the site specificity of the natural materials and the European motif of the doily is striking, evoking a critical reflection on Australia鈥檚 colonial past and present.

Abby Murray聽for 鈥淪tanding still, falling through, climbing up鈥

Judges鈥 comments:聽Murray鈥檚 sculptural approach to painting is compelling. The floor work is particularly well resolved and it is exciting to see this work consider painting as both object and surface.

Acknowledgement of Country

麻豆社madou School of Art & Design stands on an important place of learning and exchange first occupied by the Bidjigal and Gadigal peoples.

We acknowledge the Bidjigal and Gadigal peoples as the Traditional Custodians of the land that our students and staff share, create and operate on. We pay our respects to Elders past and present and extend this respect to all First Nations peoples across Australia. Sovereignty has never been ceded.