Dr Susanne Thurow
Post-Doc Res Fellow (Â鶹Éçmadou)
Doctor of Philosophy (English Philology) - Feb 2017, Christian-Albrechts-Universität zu Kiel (Germany)
First State Examination in the Career of Teachers at the Secondary School (English + German) - Jun 2009,ÌýChristian-Albrechts-Universität zu Kiel (Germany)
Arts, Design & Architecture (ADA)
iCinema Centre for Interactive Cinema Research
DrÌýThurow is an ARC Laureate Postdoctoral Research Fellow at iCinema Centre for Interactive Cinema Research, as well as its Associate Director Research, and Research Program Leader in Climate Aesthetics. Her interdisciplinary research encompasses the fields of Performing Arts, Digital Media, Literary-, Cultural-, as well as Indigenous Australian Studies, with a primary focus onÌýcontemporary theatre and interactive aesthetics. Her research spans the arts and humanities, as well as technology, undertaken in programmatic collaboration with iCinema’s key collaboration partners, such as for example Fire and Rescue NSW.Ìý
She has been a named Investigator on the ARC Linkage Projects LP170100471 (2018-21), LP180100126 (2019-23) and LP190100563 (2021-25), exploring the capability of advanced interactive visualisation and AI to improve design processes in the performing arts and museum sector, with Sydney Theatre Company, NIDA, MAAS and Opera Australia as collaboration partners.Ìý
Her current work builds on her post-graduate studies exploring representations of contemporary Indigenous Australian identity in two acclaimed theatre productions, contextualising the plays in their culturally specific production contexts and evaluating the aesthetic configuration of Indigenous and Western theatrical languages in regards to their decolonising capabilities. The project was supervised by Prof Peter Eckersall (CUNY, New York, USA) and Em/Prof A.-M. Horatschek (CAU Kiel, Germany) and subsequently published as a monograph by Routledge (2020) that won two awards.Ìý
In addition to her academic work at iCinema (since 2014), Dr Thurow also worked for Â鶹Éçmadou’s Nura Gili Indigenous Programs Unit, the University of Melbourne’s Indigenous Studies Program and Christian-Albrecht-Universität's English Department, as well as having conducted research into Indigenous petitions to the Government for the University of Sydney. Moreover, she supported the arts and social change company Big hART Inc. as Associated Arts Manager on their ‘Namatjira’ and ‘Yijala Yala’ projects from 2011 to 2013, with her professional background further consolidated by work in education, print media, public broadcasting and marketing, for –among others- the ABC, Goethe Institut and Hamburg-based Thalia Theater, where she assisted in the company’s 2009 rebranding and supported the curation of the 2017 Theater der Welt festival.
E-mail
Location
iCinema Centre
Room 601, Level 6
Civil Engineering Bldg. (H20)
Gate 11 via Botany Street
Â鶹Éçmadou Kensington
- Publications
- Grants
- Awards
- Research Activities
- Engagement
- Teaching and Supervision
- Media
iModel:ÌýTransforming rehearsal design using an interactive spatial aesthetic
Dennis Del Favero, Maurice Pagnucco, Michael Scott-Mitchell, Tomasz Bednarz,ÌýSusanne Thurow, Andrew Yip, Lyndon Terracini, Georgia Rivers
ARCÌýLinkage Project LP190100563
2021
Total: $562,000
The Project aims to investigate an interactive spatial aesthetic that facilitates modelling of operatic rehearsalÌýdesign. It will do this through application of an experimental artistic system that reshapes concepts of spatialÌýdesign through collaborative interaction between creative teams and digital systems. It demonstrates howÌýcreatives can immersively design a rehearsal in real time at up to 1:1 scale, assisted by an evolving database. ItÌýtransforms our understanding of rehearsal design and the way it can be aesthetically explored, with outcomes thatÌýoptimise and streamline design processes in the performing arts industry.
Ìý
Exploring the capabilities of digital aesthetics for archiving installation, media, performance and sculpture artworks in dynamically accessible formÌý
Dennis Del Favero, Ursula Frohne, Susanne Thurow, Andrew Yip
Universities Australia: Australia – Germany Joint Research Co-Operation Scheme 57511643
2020
Total: $12,220
The Project aims to prototype an aesthetic framework that can address the problem in Contemporary Art and Creative Industries of archiving ephemeral artworks, such as temporary installation, media, performance and sculpture art, in experientially dynamic forms. While conventional documentary methods capture static and fragmentary aspects of such artworks, we will explore artificially intelligent (AI) digital methodologies applied to the collection of the contemporary art festivalÌýSkulptur Projekte. These can animate the artworks as 3D cinematic-scale simulations that embody their full range of spatial and temporal qualities, networked to 3D screens and VR head-mounted displays.
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iDesign: Reformulating set design aesthetics via a dialogical model of interactivity
Dennis Del Favero, Maurice Pagnucco, Caroline Wake, Susanne Thurow, Lawrence Wallen, ÌýKip Williams, Michael Scott-Mitchell, Benjamin Schostakowski
ARCÌýLinkage Project LP170100471
2018
Total: $542,916
The Project investigates the emergence of novel forms of interactive aesthetics in contemporary performance design. It does this through experimental application of an artistic system that reshapes concepts of set design by integrating developments that usher in new types of collaborative interaction. It demonstrates how users can immersively model sets in real-time using their body at a 1:1 scale assisted by responsive databases.By doing so, it transforms understanding of modelling and the way it can be aesthetically explored, with outcomes that impact the scope and scale of design processes in the performing and creative arts.
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netARCHIVE: Redefining museum experience as an immersive networked narrative.
Dennis Del Favero,ÌýClaude Sammut,ÌýFabri Blacklock, Carol Oliver,ÌýSusanne Thurow,ÌýMatthew Connell,ÌýArul Baskaran
ARCÌýLinkage ProjectÌýLP180100126
2019
Total: $463,634
The Project aims to investigate the contemporary emergence of novel forms of immersive and networked narrative in museum settings. It expects to reformulate our understanding and experience of a multi-located collection and the ways in which it can be aesthetically explored. To do so, it will experimentally apply an artistic system that transforms the display, engagement and organisation of the Museum of Applied Arts and Sciences' collection across its venues. Anticipated is a demonstration of how users can explore this distributed collection in concert with a database system, with benefits that impact the aesthetic scope and scale of museum experiences.
ASAL's – Best 1stÌýBook of Literary Scholarship by an ECRÌýon an Australian SubjectÌý(2021)
Â鶹Éçmadou ECAN Award for Research Excellence – Book Chapter (High Commendation, 2021)
Â鶹Éçmadou Art & Design Dean’s Award for Research Excellence – Best Monograph (2019)
ADSA’s Veronica Kelly Prize (Honourable Mention, 2016)